transhistria ensemble / époque quartet

rideri

TECHNICAL RIDER - Tamara Obrovac transhistria ensemble / époque quartet
* subject to change, adaptations are always possible when discussed earlier

ACCOMODATION
preferably 9 singles, or 5 singles and 2 double bedrooms, hotel/or other accommodation 3* minimum, with private facilities, preferably at short walking distance from the venue

TRANSPORTATION - if the band is coming by plane?
all necessary local ground transportation from/to airport to venue/restaurant/hotel ?1 mini-buss, (or any equivalent transportation) for 9 passengers and the luggage/instruments; guitar, mandolin, accordion, double bass, (if not provided) cymbals, 2 violins, viola cello.

CATERING & MEALS will be provided by the Promoter for each one of the performances:

  • 1 full hot dinner for 9 people after the concert; 1 vegetarian, (preferably local cuisine), steaks, fish etc. incl. beverages; high quality red vine (cabernet/shiraz etc.) min. 4 beers, natural water.
  • catering in the dressing-rooms ready for sound check and concert ?light snacks (sandwiches, chips, fruit, cheese, ham, fresh salads, olive oil, etc, coca cola, min 4 beers, high quality red vine, cabernet /shiraz / or similar, and grappa/whiskey
  • natural and non fizzy water, NOT cold for Tamara, (also on stage during the performance)
  • 1 lockable dressing-room for sole use of 8 artists
  • 1 lockable dressing-room with mirror and private facilities for Tamara Obrovac


BACKLINE - if the band is coming by plane, or from distant location

LINEUP: voice/flute, ac guitar/mandolin/back-vocal, accordion, double bass/back-vocal, drums, vl1, vl2, vla, vlc

DRUMS:
Any vintage (70’s or older) with *Remo ambassador white coated* heads, preferably Gretch Vintage (50's, 60’s or 70's) USA Custom, New Classic, Renown Maple, Catalina Jazz Club, or Ludwig, Slingerland, Rogers, or any new Yamaha set with *Remo white coated heads*.
Sizes: 18" or 20" bass drum, 12" tom, 14" or 16" floor tom
Cymbals: Istanbul Agop, Bosphorus, Turkish, Dream or Zildjian K?Sizes: 20" ride, 16" crash, 14" hi hat
*Important: All cymbals should be *lightest jazz models*, or just 4 light crash cymbals in sizes 20,16,14,14.? ?

Hardware:
2 cymbal stands, light as possible, straight-no boom.?
2 snare drum stands?
hi hat stand- simple light model?
bass drum pedal- light, simple?
drum chair - a good one, with a seat that does not move when in use.

DOUBLE BASS:
3/4 size acoustic double-bass from an excellent maker (David Gage Czech-ease road bass is fine) with adjustable bridge, (pick-up is optional, see OPTIONS 1 and 2)
OPTION 1: (REGULAR) 1x XLR cable with phantom power, 1x monitor, bass amp and pick up are not necessary, bassist brings his own DPA 4099B clip-on microphone
OPTION 2: (ON REQUEST) 1 bass amplifier 80 W or more - GALIEN-KRUEGER, preferably "MB" series-EBS, preferably "DROME", ACOUSTIC IMAGE, PHIL JONES, AMPEG or TRACE ELIOT / preferable cabinet configuration: 1x10 or 1x12 or 2x10 (in the case of OPTION 2 please provide the same DPA 4099B clip microphone)

OTHER:

  • 6 padded orchestra chairs (no armrest) for: guitar/ accordion / violin1 /violin2 /cello/viola
  • two high stools for double bass and lead vocal, no armrest (optional)
  • 1 mic. stand (lower part) for AER guitar amplifier
  • 8 black solid note stands with individual lights

PA SYSTEM, SOUND SYSTEM, SOUND ENGINEERS etc. / according to the venue

  • monitors: six, 6 groups, separate mix (preferably on stage)
  • mixer: top quality at least 24 channels, / 2x param. EQ per ch./6 aux (Soundcraft, Midas, Mackie, Yamaha, ALLEN & HEAT)
  • reverb: Lexicon, PCM 70/90, LXP 15, MPX 1 (good reverb)
  • compressor / limiter: top quality for vocal DBX, BSS, DRAWMER
  • power amps: top quality professional brand (power depending on the size of the venue)
  • 31-band graphic E.Q., preferably Apex or Klark Teknik
  • speakers: top quality professional brand, Martin, Meyer sound, KV 2 Audio, L–ACOUSTIC, d&b, or similar
  • stage lights: warm lightning without strong colors, with minimum changes during the performance, front and rear, with an independent electricity source
  • professional sound and light engineer with experience in jazz concerts

TAMARA OBROVAC transhistria ensemble - époque string quartet / stage plot:

tech-rider-epoque

 

TAMARA OBROVAC transhistria ensemble - époque string quartet / INPUT LIST

CH

INSTRUMENT

MIC .-D.I.- XLR

PH/48V

INSERTS

MIC.STAND(K&M)

1

KICK- mic not inside  please

AKG D112/Shure BETA 52

   

SHORT BOOM

2

SNARE

SENN. MD 421/Shure SM 57

   

SHORT BOOM

3

OH L

AKG C451/KM 184

48V

 

TRIPOD BOOM

4

OH R

AKG C451/KM 184

48V

 

TRIPOD BOOM

5

DOUBLE-BASS D.I.

D.I BSS AR133

 

COMP.

-

6

DOUBLE-BASS MIC

DPA 4099B clip on
C 451/KM 140

48V

 

SHORT BOOM

7

GUITAR  D.I.

XLR-own D.I. from AER amp

     

8

GUITAR microphone

AKG C414/C451/OKT.MK012

48V

 

SHORT BOOM

9

MANDOLINE D.I.

D.I. BSS AR133

     

10

MANDOLINE MIC

AKG C 451 /Neum.KM184/ OKT. MK012

   

TRIPOD BOOM

11*

ACCORDION LH

AKG C 451 / SENN. MD441
D.I. BSS AR13

48V

 

TRIPOD BOOM

12*

ACCORDION RH

AKG C414 B/SENN.MD441 D.I. BSS AR133

48V

 

TRIPOD BOOM

13

L.VOX /FLUTE TAMARA*

Neumann KMS 105 own mic

48V

 

TRIPOD BOOM

* NO ANNOUNCEMENTS ON THIS MIC PLEASE, for announcement please provide an other microphone
* NO  SOUND TESTING ON THIS MIC BY ANYONE EXCEPT Tamara, only here handle this mic. please

14

SHOW ANOUNCEMENT  MIC

Shure SM 58/87

   

(if needed)

15

BAC VOX /DOUBLE-BASS

Shure SM 58/87

   

TRIPOD BOOM

16

BACK VOX /GUITAR

Shure SM 58/87

   

TRIPOD BOOM

17 VIOLIN 1 Neumann KM 84/184/AKG C451/OKTAVA MK012     TRIPOD BOOM
18 VIOLIN 2 Neumann KM 84/184/AKG C451/OKTAVA MK012     TRIPOD BOOM
19 VIOLA AKG C 451 C     TRIPOD BOOM
20 CELLO AKG C 414 B     SHORT BOOM

21

REV 1 L

LEXICON/ TC ELECTRONICS

     

22

REV 1 R

LEXICON/ TC ELECTRONICS

     

23

REV 2 L

LEXICON/ TC ELECTRONICS

     

24

REV 2 R

LEXICON/ TC ELECTRONICS

     

* please provide for possible announcement

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