Tamara Obrovac

Tamara Obrovac quartet

Details

Riders

TECHNICAL RIDER  Tamara Obrovac quartet
*subject to change, adaptations are always possible when discussed earlier

ACCOMODATION
4 single bedrooms, hotel/or other accommodation 3* minimum, with private facilities, IMPORTANT: preferably at short walking distance from the venue

TRANSPORTATION - if the band is coming by plane
all necessary local ground transportation from / to airport / venue / restaurant / hotel 1 large vehicle or any equivalent transportation) for: 4 passengers, private luggage, and instruments; double bass, (if not provided) cymbals, (if drum set is provided)

CATERING & MEALS - will be provided by the Promoter for each one of the performances:

• 1 full hot dinner for 4 people after the concert; preferably local cuisine, 1 vegetarian, incl. beverages; fine red wine, beer, cola, natural water
• catering in the dressing-rooms ready for sound check and concert: light snacks (sandwiches, chips, fruit, cheese, ham, fresh salads, etc), coca cola, beer, local red vine, cabernet /shiraz / or similar, grappa/or bottle off whiskey, scotch preferably
• natural and non fizzy water, NOT cold for Tamara, (also on stage during the performance)
• 1 lockable dressing-room for sole use of 3 artists
• 1 lockable dressing-room with light/mirror and private facilities for Tamara Obrovac

BACKLINE - if the band is coming by plane, or from distant location

LINEUP: voice/flute, piano, double bas, drums

PIANO:
1 piano, preferably Steinway, Bösendorfer or similar, preferably grand, min 2m , tuned to A 440
If unavailable, a digital piano (weighted keys), Yamaha Clavinova grands or Yamaha P series stage pianos

DRUMS:
Any vintage (70's or older) or modern shallow sized drums with REMO AMBASSADOR WHITE COATED HEADS ONLY (on the bass drum also), NO POWERSTROKE, PINSTRIPE, EQ1, EQ2, EQ3, SUPERKICK OR ALIKE please.
Preferablyy - in order of preferences: Gretch Vintage (50's, 60's or 70's) USA Custom, Brooklyn, Broadcaster or Catalina Jazz Club, or Ludwig, Slingerland, Rogers, or any new shallow sized Yamaha set with *Remo white coated heads ONLY please*.
Sizes:18 X 14 BD, 14 x 14 FT, 12 x 8 TT, 14 X 6.5 snare drum with light pressed metal or wood hoops (NO DIE-CAST HOOPS ON SNARE DRUM, PLEASE)
Cymbals: Istanbul Agop, Bosphorus, Turkish, Dream or Zildjian K /Sizes: 20" ride, 16" crash, 14" hi hat
*Important: All cymbals should be *lightest jazz models*, or just 4 light crash cymbals in sizes 20,16,14,14.

Hardware:

• 2 cymbal stands, light as possible, straight-no boom.
• 2 snare drum stands
• hi hat stand- simple light model
• bass drum pedal- light, simple
• drum chair - a good one, with a seat that does not move when in use.

DOUBLE BASS:
3/4 size acoustic double-bass from an excellent maker (David Gage Czech-ease road bass is fine) with adjustable bridge, (pick-up is optional) bassist brings his own DPA 4099B clip microphone
OPTION 1: 1x XLR cable with phantom power, 1x monitor, bass amp not necessary(MAIN OPTION)
OPTION 2: (on request) 1 bass amplifier 80 W or more - GALIEN-KRUEGER, preferably "MB" series-EBS, preferably "DROME", ACOUSTIC IMAGE, PHIL JONES, AMPEG or TRACE ELIOT / preferable cabinet configuration: 1x10 or 1x12 or 2x10 (in the case of OPTION 2 please provide the same DPA 4099B clip microphone)

OTHER:

• 1 solid adjustable piano bench
• two high stools for double bass and lead vocal, no armrest (optional)
• 3 black music stands with individual lights (optional)
  
  

PA SYSTEM, SOUND SYSTEM, SOUND ENGINEERS etc. / according to the venue

• monitors: four, 4 groups, separate mix (preferably on stage)
• mixer: top quality at least 16 channels, / 2x param.EQ per ch./6 aux Soundcraft, Midas, Mackie, Yamaha, A & H
• reverb: Lexicon, PCM 70/90, LXP 15,MPX 1
• compressor / limiter: top quality for vocal DBX, BSS, DRAWMER
• power amps: top quality professional brand (power depending on the size of the venue)
• 31-band graphic E.Q., preferably Apex or Klark Teknik
• speakers: top quality professional brand, Martin, Meyer sound, KV 2 Audio, L–ACOUSTIC, d&b, or similar
• stage lights: warm lightning without strong colors, front and rear, with an independent electricity source
• professional sound and light engineer with experience in jazz concerts

TAMARA OBROVAC quartet / stage plan

TAMARA OBROVAC quartet / INPUTLIST

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TECHNICAL RIDER TOQ 2017.pdf

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